Pieter Bruegel the Elder chose to paint peasants, children, and village festivals at a time when respectable artists painted gods, saints, and kings. His scenes of everyday life were not folksy decoration — they were philosophically radical acts that insisted ordinary human experience deserved the same artistic attention as myth and scripture.

This episode traces Bruegel from his apprenticeship in Antwerp through his Italian travels, his great landscape paintings, and the moral complexity hidden inside scenes that look, at first glance, like simple fun.

• Hunters in the Snow is considered one of the greatest landscape paintings in Western art
• He painted peasant life with a philosophical seriousness that elevated everyday subjects to the level of history painting
• His paintings contain layers of moral allegory and social commentary beneath their seemingly jovial surfaces
• He destroyed many of his drawings before his death, possibly to protect his family from political persecution during the Dutch Revolt