Alvin Youngblood Hart, born Gregory Edward Hart in Oakland, California, on March 6, 1963, seemed destined by geography for psychedelic rock or funk. Instead he became one of the most authentic torchbearers of deep Mississippi country blues. This episode traces the two environments that shaped him: the urban energy of Oakland and the formative time he spent in Carroll County, Mississippi, where older relatives played regional country blues on porches and in living rooms, passing down a living oral tradition.
We follow his breakthrough at Yoshi’s in Oakland, a four-night run opening for Taj Mahal that earned him a powerful endorsement, and his 1996 debut Big Mama’s Door on the historic OKeh label. From there the episode charts his W.C. Handy Award for Best New Artist, his album Territory, and the way he refused to be boxed in as an acoustic traditionalist, pulling heavy 1960s and 1970s guitar rock, traditional country, and western swing into records like Start With the Soul, Down in the Alley, and Motivational Speaker.
- How learning face to face from family members differs from studying records, and why it built his mastery of electric guitar, banjo, and mandolin
- What Taj Mahal meant when he described thunder in Hart’s hands, and the percussive force that made one acoustic guitar sound like a rhythm section
- The 1997 W.C. Handy Award for Best New Artist and the Downbeat Magazine honor for Territory as Best Blues Album of the Year
- The 2003 Grammy nomination for Down in the Alley and comparisons to Lead Belly and western swing bandleader Spade Cooley
- His 2005 Grammy win for producing and contributing to Beautiful Dreamer, a compilation celebrating the songs of Stephen Foster
Leave a Reply