Doyle Lawson learned bluegrass as an 11-year-old in a rural Tennessee living room, holding a borrowed mandolin and picking Bill Monroe’s parts out of a single-speaker radio broadcast of the Grand Ole Opry. Born in Fordtown in 1944 and raised in Sneedville, he taught himself mandolin, banjo, and guitar by ear, then moved to Nashville in 1963, where his first major job was playing banjo for Jimmy Martin and the Sunny Mountain Boys.
This episode covers his 16-year apprenticeship with Jimmy Martin, J.D. Crowe’s Kentucky Mountain Boys, and the Country Gentlemen, including backing Senator Robert Byrd on Mountain Fiddler in 1977, before he formed Doyle Lawson and Quicksilver in 1979 and released Rock My Soul and Heavenly Treasures on Sugar Hill. The hosts explain microtonal a cappella arranging, how the band survived the departure of Randy Graham, Terry Baucom, and Jimmy Haley by bringing in Russell Moore and Scott Vestal, Lawson’s 1985 rededication to Christianity, the 1998 National Quartet Convention invitation, Paul Simon’s “Dazzling Blue” in 2011, the instrumental “Rosine,” the 2006 NEA National Heritage Fellowship, the 2012 International Bluegrass Music Hall of Fame induction, his 2021 retirement, and his return to occasional shows.
- How a bluegrass band works like a drum kit, and why the mandolin is the snare
- What a “driving” rhythm actually means, learned nightly from Jimmy Martin
- Why Lawson waited 16 years as a sideman before fronting his own band
- Microtones, overtones, and the “ring” behind Quicksilver’s a cappella quartets
- How his gospel focus carried bluegrass onto the National Quartet Convention stage
Leave a Reply