In this episode of pplpod, we dive deep into the chaotic world of 1990s experimental noise music with a comprehensive look at “Helen Butte” vs. Masonna Pussy Badsmell, the controversial 1996 studio album by To Live and Shave in L.A.. Released on August 6, 1996, via Full Contact Records, this grueling 70-minute sonic experience pushes the absolute boundaries of traditional music.

Join us as we explore the album’s sprawling 37-track run, which features a dense barrage of manipulated heavy-metal records, Moog synthesizers, static, and “slurred, guttural ranting”. We discuss the creative architects behind the soundscape: Tom Smith (vocals, tape, mixing), Frank “Rat Bastard” Falestra (bass guitar), and Ben Wolcott (electronics).

Is this album a brilliantly executed piece of “random musical violence” or just a “predictable gimmick”? We break down the polarizing critical reception, comparing Aiding & Abetting‘s praise of the band’s “musical mayhem” with AllMusic‘s harsh critique of the record as a “disturbing cacophony”. Plus, we examine the album’s sole non-original composition: a noisy cover of The Adverts’ punk classic, “Television’s Over”.

Tune in for a heavy dose of broken rock, tape manipulation, and unapologetic noise!